The ore-pulp, drone primordial rock which Guard Alien to do is difficult to speak directly, above all because it must carry somewhere estaticamente preminutes. Better, it makes his to you the vitreous eyes, interacting with his texture as if it was a carpet particularly plush later tears more bong: pure, they are felt without brain. The band builds the titanic one, constant wall of superior sound to 37 minutes that it does not move dramatically: it is not thickened, relieves, it strikes, he calms down. And ‘he sets to music mantra, and if it will be successful, orders your senses at a level that exceeds articulation faculty completely.
The band, formed in 2010, has roots in different intoxicating others, transcendence – effort concentrated. His principal element is Greg Fox, the drummer with superhuman calm who shared art-metal Ritual dressed last year, which occupies to itself to a hard blow in the DNA that band that anchor there seem to be a sorting as of keeping on existing. (I have opted at present for a brutal drum machine that works almost as gloomily beaten-goal on his irreplaceability). singer and guitarist Alex Drewchin of psych-pop Eartheater side supports heavy influence with the mysticism Sufi. Turner Williams, Jr., carries out on one, notices woody-flexion tool cither called baja shaahi. Other members include sometimes guitarist Bernard Gann, anchor of Ritual, and the bassista Eli Winograd, who plays in a folk-noise band call Two Prong. Together, they produce a very fragrant impomatati sweat, chemistry, an opium fumeria with ventilation problems.
The only composition that is to see the world Given to a company of One Love looks without goal how screensaver in surface, but the squad maintains a light-fingered taken on the wrist of the music, of the steering through long passages assoli without stop the album is of base through – linen. The record lightens with the intensity of their concentration in common. And ‘an experience to take everything or nothing: they are used in about much in ascertaining the evolution of the music in all that is in telling the details of an acid journey. The asphyxial upsetting one baby on the surfaces I stamp-goat as noise 21:20 at the bottom of the structure of the music, it floats towards the high one, and sends a long shiver the back. Then, it is stopped, the drone shuts himself again, and stamps the serene reforms of the music.
If there is an alone thing to take out the totality of seeing the world, it is the pure joy of feeling Greg Fox drumming again. If you think about battery, somehow or other, as mechanically rhythmic, or purely muscular, or a function massif to which the most melodic things are fixed and / or dynamic – if rock does not listen to itself to one sack of another music outside, in others words – Fox might be a good passage drug on this thought line. His drumming has shading of a player of harp and voicings interiors. Impulse the album is never it complicates excessively itself, but to sound Fox is peculiar on how holding the time dancing in top. And ‘on a drummers’ short list which extended assoli it might imagine easily if he eavesdroped.
To see the world belongs to a groups origin tribali rock guitar the reason of shaking melted titanic emotions: Oneida, Boredoms, Grails, Swans, Om. Of all these groups, they have the smallest number of terror and darkness: The music is heavy, and very impressive, but a little ‘monochromatic. Any is not of the viscid one, with the wide open eyes approach-Gorgon horror of the Swans, religious – quasi-I give of Oneida or Om, the dark mystery of the Graal. If they fall to short somehow or other, it is in the range rather limited of third eye – opening options that they foresee: Perhaps with the time, they can assume more colours.

Kurt Feldman is a sensual one between sensual. Day of work of the musician of Brooklyn consists sat behind the battery for the pure pains of the being of heart, revivalisti Slumberland that for beforehand has earned the attention with the construction of a journey on the time rocketship for all that bookish, of new generation Indian – popper that they had never felt to talk about Rocketship. A few years before this, nevertheless, it is a member state of unheralded, neo-shoegaze dress, the Gilda amortisation, a band that has given the things outside at the fusion fragile wefts chiptune with six ropes swarm before arriving to blest, comfortable conclusion that, if the same style is still not broken, is not necessary to solve the problem.
The projects that Feldman has been involved with the last five years have been almost exclusively tied to the sounds of the past, then it should be a surprise that the ice Chorus, his engagement for the most-alone thing in consequence of the dissolution of Depreciation Guild last year, once more finds it looking back with reverence. This time, nevertheless, the basic material is different – and a little ‘catching, above all considering his rock – heavy I make a name for myself – like debut LP Chorus of Ice, Afar, pop is rich with the luxuriant ones, texture swoon and big shot – money of eccentricity years ’80 and new-wave., Of course, when written, that the description is ripe for suspicion; several independent shapes of subculture have passed the last years like the Inuit, with a connection to Internet, to consume and to become every 80s ‘cultural aspect, until same decade looks like a print a carcass animal of which once was. Some of the cannibalism it took place under the sincerity appearance, while one sack of her is it was stinking of cynical opportunism.
Listening of Afar, nevertheless, is very difficult to believe that Feldman, which has written and produced the album singly, is not at all that too much on serious this new run that it is covering. It does not do really orbits around the habitual points of reference (Spandau Ballet, the nervous brightness of Jam and Lewis-Product R and B, material OMD is more traditional) – has their nails spot-on with an impressive and loving fidelity, the only thing that it separates “then” “hour” is that I am quite sure that nobody was looking at a protection of incandescent computer during the listening of “If You Leave” in 1986. The crude, intentional inexpensiveness that accompanies much the extrapolation nostalgia is done by you at you in the day in able today it is avoided thanks to the own brilliance Feldman production I polish, so like the wise hand mixing of Jorge Elbrecht.
Elbrecht and Feldman are something of similar spirits, in all that the first band, Violens, they are able copyists also; datum Elbrecht of lodevolmente heat and being distant of auto-production of second LP Violens ‘, this true year, it is a choice clearly inspired by the collaboration. The same thing is valid for Chair lift of Caroline Polachek, even if his short apparition in Afar is more sparkling “Each thing is the most beautiful! Use” disturbs briefly the environment around her before slipping again in perceived, not memorably at all. Not exactly his guilt, nevertheless, since the environment closed hermetically of Afar has to very much to the singular voice of his creator. As singer, Feldman knows incredibly about another disturbing Written family – hopper, green Gartside Politti of. Voice of Kurt Feldman is gummy and able as he runs long swiftly feet patter of “delimitation” and drains long the synthetic beautiful falls of “Teletrips” – but it keeps also an aromatic lightness, the same type of wonderfully overwhelming perfume that there has caused much a listener to fall on love with the greatest part of the performances that interest Gartside of vocal ones.
The artistic connection is only aesthetic, nevertheless, and not only why the state Gartside as enchanting, innovative pop thoughtful is, at this point, inimitable. As far as this elegant regards, the sound of his beautiful news has interested, Kurt Feldman has all the necessary parts, but it has not still understood perfectly how to put them together still, to create songs like indelible like those perfectly to the fashion with his heroes of the past. It goes well, nevertheless, why also Afar from more summarily elaborate material suggests that is a greater potential is in front – and, besides, the history has demonstrated practically that he is appointed to improve this that is here, in as swansong of Gilda Ammortamenti, the youth Spirit 2010, it have been richer and complex compared to 8, bit stabs of debut of 2007 In Her Gentle Jaws (the first one also produced more run end of the project of post-adolescent history of love:” You Crocifiggere”). The past is not alone in the Feldman mind – it might be very well from his side, also.

If grunge had to be killed by it hair metal, it has made a work from shit of him. Nirvana and Pearl Jam somehow or other generated Creed and Nickelback, which it has demonstrated like the music rock really boring might obtain when undressed of fascination, magic keyboard, and glass of trascendentale falsettos. While the Strokes ei White Stripes were going divinizzato at the musical critics’ to carry immediately one certain nimbleness and boldness I return to the rock’n'roll at dawn of 2000, the dark has reached on their strata that there incarnates what the masses want really at their groups rock: pomp more scowl, joy, hymn more fresh disaffezionati, unitards more jeans skinny.
A mega-seller to house sensation in the United Kingdom, the Darkness ’2003 Authorisation I make my debut to the Land it was a more modest phenomenon in America, cracking of Billboard Top 40 and when the majority was selling 500.000 copies. And even if their ingenious one the headline 2005 of follow-up, One Way Ticket to Hell… And Back, has not managed to do like great impact on both sides from the tin – that it leads in part to a breaking not much ceremoniously and, unfortunately, Hot Leg – - the darkness was very foreboding of as rock’n'roll would be recycled / to live again in the pop culture of the decade: Guitar Hero, Rock of Ages, Tony Soprano enjoys perhaps his last meal to the sound of “not Stop Believin’”.
So, when was Samsung needing a sleeper years 2000 rock band to stars to their communication Well-known Galaxy Super Bowl in last February, certainly as the hell has not gone for the vines. If it came following an UK 2011 reunion tour, that commercial – with only moustached but to naked trunk I always plumb Shrieker Justin Hawkins – served at a shameless reintroduction opportunely American to a proudly shameless band, and a good part of the vision public might be forgiven to think the communication another example of has been an one-hit wonder shillings their old song to pay the new bills. But in spite of exploiting all the necessary means to stage their return, the darkness they have more interested in fact to sell disks compared to the compresses: Hot Cakes marks the return of the original formation that the permission recorded (between which it was – manchù and bassista Frankie Poullain, who has extracted shortly before single ticket), with not less than one pomp-rock master of Bob Ezrin behind the mixer.
Justin Hawkins can be the face and the attention-seizing the voice of the darkness, but the heart of their sound is in his way of sounding the guitar, for which the brother of Dan Angus Youngian compensates raunch with the type of rich ones, assoli harmonic that Tom Scholz used for record covering itself on Boston. And in spite of the love of the band of istrionismo of heavy metals, Hot Cakes favours the idea that the Darkness very power-pop band are, in substance, an oil spot, the one who is like tied to “Peace of Mind”, like Piece of Mind. But also with his generous sweets offer covered with riff and easy flowing melodies, Hot Cakes goes still down like wafers tepid Eggo: familiar comfort – food, but it becomes poor of the shiver that has made the Darkness special.
That always maintained the dark degenerates into Steel Panther-grade parody Sunset Strip was flair Justin Hawkins ‘castrating by his band push horse – rock with averse absurdity – like the way in whose “Growing on Me” has worked as soundtrack is for bloom Romanticism and diagnosis STD, or like his courtship strategy on “Friday Night” involved to do a date for badminton. In spite of Hawkins ‘ear-piercing exhortation “to suck my cock” on the origin – myth intro “each centimetre of you”, Hot Cakes for the swap on singular reflexions of the singer for wide pat, you sketch sentiments about without be stopping (“Nothing is a Skirt Stop we”), hung (“Keep Me Hangin ‘On”), and all have a good time (“Everybody Have to Good Time”). Near European tour of the band with Lady Gaga returns so perfect sense – not only in order that show value is the queen – staircase, but in order that both we occupy also the same type of car estimate – building fortunes – cookie philosophy.
Irony of the destiny, the only time that the Darkness really to assert the own peculiar personality on Hot Cakes is when they cover song another band – and not only any song, but also Radiohead “Street Spirit (Fade Out)”, which determining, trace transitory that serves as gateway the Britpop futurist of The Bends in first masterpiece distopico of the band, OK Computer. The Darkness, still, is a sufficient feeling as they have never written bigger song Iron Maiden, when there was translating dreamy intensity of the original in a battle – conquest field cry of battle, fed by a locomotive chug steel rectifies and cry stratospheric Hawkins ‘of the chorus (not to speak an intelligent quotation about Radiohead “Just” for good measure). But to when of there simply this sacred cow was submitting to a good rogering, the remaking of the years ’80-metal confuses brilliantly the line critics it likes to draw between heavy, Rock respectable Bands and Silly, groups Ridiculous rock. The Darkness cannot worry of entering into the yarns of the ex-one, but it is required a remarkable quantity of handicraft and art to reduce Radiohead to this last.

You say what you want on Yeasayer, but up to this point of their career, it has not been classified their music easily like “banal”. And ‘guest comments on – those strong – at supporters’ and detractors. Since their traces are based on the quality similar – vivacious, he can-be witnesses, wide harmonies, and the formalities raving stacked – it has been almost no road of means that separates their individuals’ perfect state (“2080″, “Tightrope”, “Madder Red”, “ONE”) their catastrophic face – plant (“Mondegreen”, “Rome”). Now that has changed. Third album Yeasayer, the fragrant world, is their first and only coherent LP. Not only it demonstrates what Yeasayer can make an insignificant song, but that can be 11 in a line.
Fragrant world marks a further passage for a band whose sound seems to be continually a movement, and, initially, it can make you lose the “old” Yeasayer. There is a significant change here. While all the Plates hours and blood Odd was looking not at all like other, Yeasayer is reflected the neighbourhoods, to the moment, the approach maximalist grab-da-da no part that definite ambitious East Coast Indian rock. Radio and Animal Collective were in the TV lineage on the, when these band were still psychedelic and tribali, and they have carried on the mind the full-trace, tecno-hippie approach of MGMT or Maxilla Maxilla Dance in pop vein. Fragrant world, instead, is a decidedly minimalist affair. The cover of the album might make thinking the contrary one, but Yeasayer dubstep or house of the witch have not gone, even if the fortuitous swing wavy bottom and rising hi-hat they suggest that are going for something of some ‘more trunk – crackling this time. In the complex, it is very much gripped the stylistic gamma, and that geographic wider, as fragrant World sounds as itself side is looked of jockey miniaturists like Grimes, ring of the purity, or xx – acts that they make a music that sounds at the same time little and quite fragile for iPod shuffle and scalabili for subwoofer.
Nobody who plays for the points of strength of Yeasayer. The sound slenderer stresses exactly on their texts and their disposition totally has not changed with their Sonics; fragrant world can feel painfully consciously of. A curious approach typically is verified during the gradual agreements of “Blue book”, when Anand Wilder sighs, “It had the habit of covering on concrete / Now the pavement it is not green enough for her / He says that the Mother does not find Land.” Later on the “Devil and the Deed” squelching, he takes around: “One is ever able to gesticulate if it was in magic / You I was not doing it to us / he was not managing to speak your language.” The robotic push ‘n’ grind of “longevity” is a new look for only Yeasayer, but the friction true is that one of connecting a peg squared in a round hole:” My girl says what the whole rain promises is that of giving life to the seeds / Live in this moment / to never count on the longevity, “Chris Keating sings. And ‘the family about what do the people say with alarming frequency in the songs Yeasayer and absolutely any other place.
It teases here often to take a notice tone, and the lack of setting to land becomes more pronounced when Yeasayer to obtain up-to-dateness. Does the excessive one of filters EQ make almost impossible to identify the popular hero or the shtick on “Hero shtick Folk”, with “feet of the naked emperor / All That is more possible the falsehood?” without having to serve like a kind of guide. To the same way, the testimony “of Reagan Skeleton” imagining of right oppression like a “Thriller” – like phantasmagoria.
Then again, has it made the text from the song “2080″ or “Ambling Alp” be put in way? With these songs, Yeasayer has managed to overwhelm the listener with a pure melody and undeniable psychedelic faint. Even if they previously hyper-coloured record there have been also an autoproduct, fragrant world is curiously thin. It goes over the regime. While the hooks of “No Bones” and “Devil and the Act” slowly to grow on you, each strikes a point around the mark of three minutes which here might expect for a pin, a bridge, or some new textures. Instead, only thin docilely. This quality is more obvious on the first individual “Henrietta”, that it makes a line of melodic bottom, and the type of elastic groove which better traces of fed blood Odd. Still, later only two minutes, it cuts outside and spends more than the half of his time playing to recover the delay with the first album of Neon Indian.
Credit where it is owed – Yeasayer is ambitious enough to do something of diverged to write “2080″ sequel, even if they are interested in doing really this. But in contrast to irregular, sometimes winning, and always bold Odd Blood, fragrant world rests in a road of half an attempt.

Years before well-known becoming to the young generations like the smiling one, with the grey hairs I prepare garlic Academy Awards, perennially proposed as a candidate of affirmation of the life musical contributions in any Pixar collections sample gone out the year beforehand, Randy Newman has created material tridimensional worlds in the space of two minutes it teases. Matthew E. White has been between those who have got lost in these worlds, side by side with the personages amusing and messed up that Newman created from a singular mix of spite and of empathy. White he has become so haunted by Newman’s that at the end anything of singer-songwriter has traced 60 – in his house of Los Angeles, and him it gave his CD. It was, in a certain sense, a passage-of-the-torcia in reverse.
In the mind of white one, his debut album, internal Big shot, might be perfectly an attempt to recreate Newman in 1974 concept album on southern alterity, Good Old Boys. Interior is certainly southern, is certainly other, and the songs together say the type of history that I always name to Newman, about painfully human wish creatures of spiritual transcendence and discovering that the defective own ones, in same meat and blood look always to enter into the road. But where Newman has been between more literary than the post—Dylan late-60s/early-70s singer-songwriters’ generation, the principal manner white of expression interior is musical. With his background in the jazz organisation and natural comprehension of American roots music, the original one of Virginia, has put itself by it to head of a body of young musicians and veteran Reggie Pace – between whose Bon Iver, Phil Cook di Megafaun, and David Hood – determined of making living through long lost record making traditions to the king’s service-imagine psychedelic music as hymns gospel.
Inner big shot is the first product of Spacebomb, a society of production and record label with a house band composed of White, the bassista Cameron Ralston, and the drummer Pinson Chanselle inside. (There is also an important cornel and section of arches and a chorus). the idea is that one of bringing the artists to White Richmond, Virginia, quartier general – essentially the attic of a house in the part West of the city – and to organise their songs in the die of velvety soul years ’70, slackened, and cosmic New Orleans funk country-rock, with a particular attention vintage at the sound instrumentation and intimacy sudato.
White Spacebomb introduces with an aesthetics completely realised suddenly the internal passage of opening “One of These Days”, which has the wrist of the productions Willie Mitchell for the management magic To the Green – ’70 of the first LP. White and his band to sound plan, but not without reason, their catching on the central groove remains firm also like a procession of spectral funeral cornels to insert the photos to send the passage in a pleasantly disorientated direction.
He visits this thin uneasiness again between the beauty and the chaos in internal all Big shot, like the songs lyrically to explore the ecstasy and the agony of the religion, and how it is possible to explain the mysteries of the universe, but never in permanent way. The imposing number Gospel “Gone Away” is swamped in the death, with mysterious manners of the gentleman that offer somewhat in consolation terms. White he sings in a painful murmur of as “we cling to the cross with trembling ‘and fear”, in order that we know that the end will be inevitably. If “Gone Away” draws in the dark, the line of muscular bottom in “Big shot Love” implores of there dances the knowledge of the imminent mortality. “We begin to spiral”, explains White, and – like the music gospel is destined by it to do – it makes that “sinks towards unknown” universal sentiment looks extolling.
Present of Randy Newman was making turd his instant ones of rednecks racists and romantic drunks to seem real persons, rather than the creations of a wise man – ass Angeleno worried at the southern culture on the skates. Dono White on Inner Big is taking sounds created southern real and their transformation into fruit of his musical imagination, which is folded and the shapes in columns without bottom of the ethereal soul. The final song on Inner Big, about 10 minutes of “Brazos”, wraps with White and his chorus repeating a mantra on as Jesus is our friend and can free us “mortal blow of the life.” If this is the truth or the fiction is insignificant, in the magic moments that the white one creates, it is the wonder that it counts.

Rapper Snoop Dogg insists, for now, is there makes falling ‘Dogg’ to assume a new moniker, Snoop Lion.
Snoop has become one of the most well-known names of the world of the music rap after his debut album 1993 “Doggystyle” has helped to forge the ascent of the gangsta rap. But the singer of the California and actor with the hard pistols image, drugs and “exploitation of the prostitution” outside supports the women now that is now includes the reggae music, peace and love.
His transformation, he has been said to the journalists On Friday to Toronto International Film Festival of a new documentary film that it tells the change, it should not be too surprising: “I have always been told to myself that he has been reincarnated Bob Marley”.
His film nonfiction news done by his company, is called really this, “Reincarnated.” Like many musical documentary films of the last years, it serves in part like a promotional piece for his near disk reggae with the same name, showing how each passage has been recorded, also with the reggae master Bunny Wailer.
But great part of the first part of the journey of Snoop to look for culture rasta in Jamaica is spent to talk about his love to smoke marijuana and to share the local variedness. In a scene it has seized itself in the jungle of the premises to smoke marijuana plants drawn directly at the soil.
His biggest point nevertheless, it is that in the age of 40 years, he is older, wiser and has undertaken a spiritual and musical odissea. His new name, it shows the film, has not been chosen by him, but rather you pronounce the priests rasta in Jamaica.
“‘The Lion’ has crowned me, because it is associated with rasta and associated by the music reggae and they have felt themselves how the Dogg was not more necessary”, he has said. “And ‘been only a natural transformation.’ How ‘The Dogg’ to ‘The Lion’, have you understood?”
The name change, it has announced in the July, it is at least the third for Snoop, which started his career of hip-hop as “Snoop Doggy Dog” and is also known like “The Doggfather” and “Uncle Snoop”. So about his hug of the reggae it has been spread the scepticism on sites of social media.
DOGG NOT DEAD?
But on Friday, dressed in pure white one and with on a white cap rasta, has spoken of “a true transformation,” his “love and peace,” interior and his devoutness for the wife ei children.
He shook off unreligious that suppose in discussion if the man who has helped to spread the notorious Death Row Records labels, together with musicians like murdered Tupac Shakur, has changed really.
“For those who feel themselves as if it is not real or is not authentic, that is what is. You are about to express the own opinions and points of view”, he has said. “What I can do, is to put down a glass of clean water and a glass of dirty water and it is possible to have the possibility of drink any thing that you like.”
Still not shy and never to short of a beat, the second half of the film digs the majority in Snoop has passed to squares, between which his many encounters with the law with the accusation of possession of drug and the pistol.
But, as rapper and record producer Sean Combs never the producer of mark of success, has let understand what it would have still old man plays his blows rap and has not excluded in future album from the rap.
“He is still Snoop Dogg. This am I in this moment”, he has said before the journalists make laughing using a series of curses that, once filled his successes rap.
“At the end of the day, when I returned my music reggae I am in the light of Snoop Lion, then it is necessary to respect both worlds.”

Kanye West has apparently decided to take the old man slowly “you write what you know” to heart.
Kim Kardashian XXX opens West on his past more recent flame on his last passage “Clique” – and it supposes slyly that the vulgar romp with his ex-fiance Ray J is more or less responsible for his ascent to the fame.
On the song – a new individual extracted by the collaborative album “Cruel Summer” – rap West, “You Make breakfast from Gucci My girl a superstar completely at a film amatoriale.».
This second phrase is a quite clear reference to the celebrity 2007 sex tape “Kim Kardashian, Superstar”, who has thrown Kardashian under the reflectors and towards an empire reality.
This is not the first time that the Kardashian has been the West muse, last month, the rapper ‘confessed that his passage “Bitch perfect” is on her.
“I have written the perfect Bitch song Kim,” West has supposed in a tweet that since then it has been removed from his account Twitter.

Rock Day Punk green side will exhibit as provided to Video MTV Music Awards to itself to Los Angeles on Thursday after a case of heavy dehydration sent frontman Billie Joe Armstrong in hospital and forced the cancellation of a concert of week-end in Italy.
The bassista Mike Dirnt said to MTV News that on Thursday Armstrong, whose sickness it had not been explained, has come down with “weighing, heavy dehydration” in Italy, but it was retaken well on a regime of “push-up, prayers and vitamins”.
“‘It has been like a heavy dehydration, the influence, and it was only a situation very, very badly,” Dirnt said to MTV News in a pause by the proofs by the show I award a prize to VMA.
“It has woken up the morning and it were not bad. Let’s put it in this way, if you are in your chamber of hotel and it is vomited plentifully, is not amusing. Then, that you have intention to do? ‘Difficult to sing while itself ‘king to be sick”, has added.
The band has cancelled a show to Sunday Bologna, but he has been said that it was hoping to do their road towards the Italian city as soon as possible.
All that regards the performances On Thursday close to the annual MTV VMA show: “We are ready for the rock, we will be here, we will have a good time,” Dirnt said to MTV News.

The Videos Music Awards 2012 it has been the most social televisional event of all the times. Or has he been the second one?
According to the society of social analysis Trendrr, annual celebration of MTV of the most popular musical videos of the year it has been the biggest event tentpole till now in 2012, what it makes also the biggest of all the times, excluding political events.
I VMAS indented 19175032 cites between Twitter, Facebook, GetGlue and Viggle, never exceeding the second biggest event, Super Bowl of this year, with almost 2 million mentions. The classification 2012 Grammy third.
According to the laboratories Bluefin, another society of social analysis, the show has never been the second event the most important social TV, final Grammy of this year. THE VMAs recorded social it mediates 12.800.000 comments, while the indented Grammy 13 millions.
These different relations to demonstrate the inexactness of the social analyses, in all that each company has an own measurement system.
In any way itself rasher, these numbers are still huge (in contrast to the vows) – and guided at women’s. Trendrr, 71 percent of the social interactions in all the prizegiving has come from women.
In line with the female vocation of the tweetage, it has been a singer R and B and of one bellboy band courageous that he has guided the conversation.
With measures Bluefin, the activity to pin during the performance Frank Ocean of “Thinkin ‘Bout You”, a stripped-down show compared to the rest of the magniloquence, so as when pop British of the group One Direction has won “Best New Artist”.

British bellboy band One Direction has been the great winners to the Video MTV Music Awards on Thursday, outside I hem Rihanna and leading to house three prizes to crown their arrival on the pop scene of the United States as soon as six months ago.
Do five boys at child’s, the competitors’ of the British version of the televisional competition of singing “The X Factor’s”, there has beaten Justin Bieber and Rihanna for the best pop video, and his he connects all-bellboys dress British The Wanted as better new artists.
They have also won the most shareworthy-video prize – that has been voted by the fans – for their single debut “What makes you beautiful” and then I turn their last release “One Thing” for hordes of girls screaming in two hours of Los Angeles ceremony.
“To win a Moonman it is incredible, to win two is incredible”, has said Harry Styles, while the band picked up the silver VMA trophy for the best new artists.
“Thank you very much! We have grown looking at this show and of picking up one of these suddenly it is incredible”, has said a superannuated Niall Horan.
One Direction, that entrepreneur Simon Cowell is managed by British TV, did the history in March when it became the first British group to see his first album, “Up All Night”, I make my debut to the vertex of the Billboard 200 chart.
Rihanna, which went to VMA Canadian Drake shared one of principal five nominations with rapper, has come road with an alone prize.
But the prize has been more a field of the evening – video of the year – and the born Barbados to superbe has won for his dizzy visual romp in single “We Found Love”.
“I love boys to you! This is impressive,” Rihanna told his fans how he has picked up the trophy Moonman and has shown a new hairs cut pixie.
In a hip-hop-pesante show, rapper Nicki Minaj won better female video for “spaceships”, while Chris Brown has won two prizes – “. Turn Up the Music” better male video and better choreography for
Drake has come road with an alone victory, for his hip-hop “HYFR,” video that celebrates his Hebrew inheritance. “I want to dedicate this prize to each boy who has had a long walk to house”, has said Drake.
The VMA I have become well-known as one of the more unforeseeable and controversial shows of award, but ceremony On Thursday had none of amazing moments – like the vapour 2003 Madonna / Britney I kiss Spears – that have marked the preceding years.
This year, US Olympic women’s champion Gabby Ross, 16 years, of back-upset and it jumped on the box, while Alice Keys has sung his new single “Girl On Fire”. Ross ei his four companions’ companions of squad also imported Keys.
Punk rocker Billie Joe Armstrong seemed completely recovered by a dehydration episode week-end that has forced the Green Day of cancelling a performance in Italy, and it was attacked on Thursday singing after the fans inviting to get on the box.
Lil Wayne has given the first televisional execution of his new individuals “No Worries”, and Frank Ocean, who has done news in the July, coming outside like a rare gay artist hip-hop, carried out a moving version of “thinking of you.”
Calvin Harris has been the winner of the first prize of the VMA in the more and more popular category of the music dance electronic of “Feel So Close”.
pop – country of crossover singer Taylor Swift has closed the show with his individual most sold “we are ever never to return together” and other Pink included artists, Minaj and Rihanna.